ABOUT THIS SITE >>> This site is a blog as well as an archive. It gives visibility to the continues working of radical_hope, its current move to radical_house, the research project Distraction As Discipline (2016 - 2019) and the process of OTÇOE - works for passers-by, a working trajectory (2013 and 2014).

radical_house is a long term project and has a threefold nature: it presents a physical place, a framework and a logic. When in 2013 teaching and mentoring became an extension of Langsdorf's artistic practices now radical_house stems from her pedagogical experience where 'being in dialogue' with others is her main principle.

Distraction As Discipline is an investigation into enactivist principles in art and education (research trajectory at KASK School of Arts Ghent 2016-19). It considers the potential of performance art and pedagogy in general, in resisting the current and massive desubjectivation, by critically reclaiming both, attention for the moment and participation in a process.

OTÇOE - works for passers-by was the development of radical_hope's artistic practice in the city and questioned how and by whom this practice (and its bodily, social and economical aspects) is perceived. The title refers to the public of a city and to how we encounter and register most things on our way through the city: Out of The Corner of Our Eyes. OTÇOE.

[>>> more on radical_hope]
read more...

SEASONAL REFLECTIONS

NEWSLETTERS

TIMELINE

MAIN PRACTICES

bodily
SITTING WITH THE BODY 2013 ...
social
BUREAU ANNEX
economical
SHOP SHOP
educational
DISTRACTION AS DISCIPLINE 2016-19
relational
radical_house 2020 ...

CO-CONSTRUCTED CONVERSATIONS

Unfixing the Atlas

07-05-2024















We invite you to the website of KIOSK / Kunstensite

to read more about "Unfixing the Atlas" in French, Dutch, Arabic and English.

نانتقل إلى الموقع الإلكتروني للكشك لقراءة المزيد عن "Unfixing the Atlas" باللغات الهولندية والإنجليزية والفرنسية والعربية.

We nodigen je uit op de website van KIOSK / Kunstensite

om meer te lezen over “Unfixing the Atlas” in het Nederlands, Engels, Frans en Arabisch.

Nous vous invitons à consulter le site web de KIOSK / Kunstensite

pour en savoir plus sur « Unfixing the Atlas » en français, arabe, néerlandais et anglais.


>>> https://kiosk.art/unfixing-the-atlas <<<

🖋️ 🖋️ 🖋️ Review / Révision / المراجعة / Recensie >>>

Rodja Karakuş : "When we find eachother, what happens?"





PERFORMANCES

17/09 >>> 19:00 / Premiere

&

21/09 >>> 16:00 / Secondaire


INSTALLATION

[ Sep 18, 19, 20 the Unfixing the Atlas 

will function as installation between 13:00 and 19:00 ]



Unfixing the Atlas is a piece, is a space, is a method: which enables an artistic process ‘on stage’ by and with a group of people who met by chance while sharing the question of how a group becomes a group?

While creating Alena tights unfix 1*, we, makers and performers, with and without previous professional experience in the field, followed our desire to find a shared vocabulary – a path to be walked in dialogue with each other and the audience: Visitors are invited to walk through a choreography of traces – found, created, read and transformed ‘sur place’.

Traces in Agni exultant fish are memories (coming back), remarkable spatial points on site, tools (of all kinds), written words, voices, hands in action, interested subjects, forgotten objects, … the other person next to you. 

Like so many spaces, Exhaust Inflation is inconstant, yet many decisions, already taken or in the making, shape/d it – think of a park, a theatre stage, a city-bus, a classroom, a casino, the woods… an open field…

When you enter Flux unhesitating you might find things strange, after a while you will understand what is possible (for you) and eventually you might get involved or just not at all. 

In any case, when you leave Exiting Lufthansa, you leave behind a little world that has changed in your presence, with or without you having contributed actively to the events that occurred while you were (t)here.


1* All anagrams used in this text are generated with www.ingesanagram.com


>>> HISTORY & BACKGROUND <<<


CREDITS

participants/performers
Charif Bendriss, Anne-Claire Kelam, Carine De Backer, Elisabeth Ida Mulyani, Marie Louise Ruth, Diana Campos Zenil, Narguess Azimi

supporting practitioners/performers
Johanne Mortgat Shan, Mira Verstraeten, Laura Oriol, Joan Somers Donnelly

choreography, dramaturgy/mediation, performers

Heike Langsdorf, Simone Basani

experts/performers
Fransien van der Putt, Mathieu Hendrickx, Ernst Maréchal

scenographic process

in dialogue with Shervin/e Sheikh Rezaei

dramaturgical reflection
in conversation with Irene Lehmann

temporarily participating additional performers/practitioners
Anouk Llaurens, Sonia Si Ahmed, Bilal Kamilla Arnout, Ivan Azazian, Anthony Chang, Does Vandousselaere, Lucio Guarinoni, Anna Laura Penna

productional work for radical_hope
Simone Basani, Heike Langsdorf, Liselore Vandeput

assisting collaborators
Alice Ciresola, Deborah Ephrem, Doha Jaadi, Davide Musco, Rita Nobre, Nele Visschers, Bart Wouters

assistance with administration
SPIN vzw

co-production
radical_hope, KAAP, Buda, Kunstenwerkplaats Brussels, GC De Markten, nadine

with the financial support of
Vlaamse Gemeenschap (The Flemish Community)

with the support of
Link=Brussel, GC Nekkersdal

premiere context made possible by
KIOSK, KASK & Conservatorium (HOGENT – Howest) & radical_hope